Posted as part of – Publication for Donation initiative.
We thank the artist for helping and supporting animals!
In my artwork, I capture the deep relationship between nature, humanity, and the legacy we leave behind. I seek to magnify their significance with my brushstrokes.
Born: Kharkiv, Ukraine
Now: Karlsruhe, Germany
@redilionarts | migratory-birds-art.carrd.co
INTERVIEW
Why did you decide to take part in the initiative and apply? What does it mean to you to help animals?
I believe that every mature person should express their position when the moment calls for it. Artists simply have a wider range of tools for doing this. I also believe that art has the power to send a message. Instead of channeling my emotions solely on social media, I transform them into something useful. This initiative provides a wonderful opportunity to draw attention to the issues I consider important.
You started your path from the artistic course, but did you study the architectural straight line, giving you this knowledge?
I think I decided to study architecture because it seemed much more complex 🙂 and I was pleasantly surprised to discover the strong interconnection between architecture and art. One of the most significant takeaways from my studies was the realization that beauty and function are inseparable. I learned that aesthetics can serve a purpose beyond mere decoration. This understanding has greatly influenced my artistic perspective.
Tell our readers about the “Gioconda Project”, which is being exhibited in London. How did you manage to get to this project and why did you present yourself with a series about a bird?
There seems to be a slight misunderstanding. The idea of the Project was to recreate the Mona Lisa painting through the eyes of contemporary artists. When I came across the open call, I decided to create a portrait consisting of foliage, birds, insects, and other creatures. It depicted the image of a human as an element of nature.
The Migratory Birds series came later when I moved to Germany and started exploring migration issues.
Finding myself in a completely new role and environment, I discovered the parallel between natural (bird) migration and human migration. There are more similarities than one might initially see.
Continuing the topic. It is interesting that after this project, you began to participate in international exhibitions actively and… came to master classes and your own studio! How did it happen? Because the path from architectural specialization to teaching and drawing is very unusual.
I believe that participating in exhibitions and engaging with other artists is a great way to learn more about your own art and define your goals. The master classes were also part of my self-exploration. I started them for two reasons: first, there was a lack of Ukrainian art instructors at that time, and I sought support for my Ukrainian identity. Initially, I held art sessions at the Ukrainian Saturday school in Karlsruhe for members of the Ukrainian community. Later on, local Germans and individuals of other nationalities joined us. I was subsequently invited to lead workshops in various cities, including abroad.
As the Ukrainian community grew more active, the city of Karlsruhe provided us with space, giving our development a significant boost. This led me to establish the studio of Ukrainian art, “Korali.” Currently, I have a group for children and another for adults, where I teach traditional painting techniques on a weekly basis.
Tell us how you got to Germany? How did cultural integration take place and is it important to be Ukrainian in the EU?
I came to Germany to pursue my studies at the university and obtain a degree. Despite its geographical proximity, Germany often feels like a totally different world. I find it fascinating to explore into the German art scene and understand their artistic preferences. Notably, I’ve observed that Germans have a strong affinity for abstract art, which distinguishes them from Ukrainians. However, their deep respect for cultural diversity is evident, as they enthusiastically embrace the exploration of traditions and folk arts. This is worth learning. I believe that introducing them to Ukrainian art provides a valuable opportunity for them to develop a genuine understanding and appreciation for the richness of Ukrainian culture.
Based on your own experience of teaching and living abroad, what would you advise young artists?
I must admit that I don’t consider myself an exceptionally experienced individual. However, I have always been eager to explore diverse approaches and continue planning numerous projects and activities, which has enriched my artistic journey.
However, if there is one valuable piece of advice I can offer, it is this: no matter your chosen field, whether it be art or any other profession, strive to cultivate an appetite for knowledge.
Even when you feel you’ve reached a point of mastery, the truth is: there is always more to learn.
Embrace a mindset of constant education, immerse yourself in new media, and experiment with different approaches. The new environment offers endless possibilities for that. Networking with fellow artists and intriguing individuals outside your field provides an invaluable opportunity to communicate, network, and exchange ideas. This dynamic exchange serves as a catalyst for personal and artistic growth.