In the work of London-based textile artist Annalisa Middleton, embroidery becomes more than ornament or technique. It becomes a method of excavation – and something closer to a spiritual practice.
Annalisa Middleton – Embroidered Mythologies and the Memory of Civilisation Read More »
Christina A. West works with the human form the way a philosopher works with a problem – not to resolve it, but to keep it productively open.
Christina A. West: The Body as Question Read More »
Mychaelyn Michalec works with a tufting gun the way a painter works with a brush – building surface, direction, and texture stroke by stroke. The result is large-scale fiber works that are formally dense and conceptually layered
Mychaelyn Michalec: Fiber, Myth, and the Weight of Being a Woman Read More »
In the quiet corners of our shared history, there is a belief that what is broken is not lost, but merely waiting for a new form.
Resurrection: The Alchemy of Recomposition Read More »
By 2030, reduce by one-third premature mortality from non-communicable diseases through prevention and treatment and promote mental health and well-being.
My art combines whimsy and surrealism to inspire universal dialogues about the human experience.
Exploration of The Synergy of Digital and Traditional Textile Techniques in Contemporary Textile Art and Design
Mariam Oladepo-Ajagbe: Digital and Traditional Textile Techniques in Contemporary Art Read More »
Chinese brush strokes are similar to the pose of yoga which integrate breathing, boused in traditional Chinese painting can also be used for wellness practices to promote relaxation, stress relief, and overall wellbeing.
Dr. Shirley M C Yeung: From Wellness via Creation to Sustained Business with Impacts Read More »
The focus of the Artwork Gallery project was to provide equal rights to all – experienced and emerging artists alike, regardless of their gender, to showcase the diversity of art directions and styles.
Anna Ponomarenko: One year of our magazine Read More »
Dr. Yeung takes an inquiry, explorative, and experiential learning approach to use Chinese Calligraphy, Chinese paintings and values of resilience, persistence and harmony for knowledge transfer which is innovative and transformative.
